Grand Days Out: Coram’s Fields

Playing on the site of the word’s first incorporated charity, in London’s first public children’s playground

It seems fitting that in a week when even more allegations have surfaced in the ongoing Jimmy Savile scandal, we should take a moment to consider the legacy of someone who worked tirelessly to advance the cause of deprived and abused children: Thomas Coram.

Plane trees in Coram’s Fields (Photo: Catherine Lawson)

On October 17th, 1739 the erstwhile sea captain and lifelong philanthropist was granted a Royal Charter by King George II to establish a “hospital for the maintenance and education of exposed and deserted young children.”

It was the culmination of a 17-year crusade. After a life at sea, Coram had returned to England a rich man, intending to retire in comfort. However, he was so appalled by the numbers of children left to die on the streets of London that he took up cudgels on their behalf.

The first abandoned babies were admitted to Coram’s Foundling Hospital in 1741 and were housed in Hatton Garden while a brand new building was constructed in Lamb’s Conduit Fields, Bloomsbury. Opened in 1745, the new hospital was a plain brick building set around an open courtyard, and it attracted high-profile supporters such as William Hogarth and composer George Frideric Handel.

The Foundling Hospital

Today, thanks to some architectural vandalism in the 1920s, all that remains of the Foundling Hospital buildings are the elegant, single-storey Georgian colonnades. They now house a city farm, children’s play centre, cafe, community nursery and youth centre. In the centre is a wide open park and playspace.

Pediment in the Georgian colonnade, Coram’s Fields
(Photo: Catherine Lawson)

The site is the product of lengthy campaigning and fundraising by local people who, with the suppport of the LCC and Viscount Rothermere, preserved the nine-acre site for future generations of children. Renamed Coram’s Fields in 1936, it was London’s first  public children’s playground.

Today, Coram’s Fields is a beautiful oasis of calm right in the centre of London. As well as the nursery and youth centre there are free (yes, that’s free) weekday sports programmes for children aged from 6 to 19, including a girls’ club aimed at getting more girls involved in sports.

If you’ve never been, take the kids and spend the day there. There are clean loos, and you can grab a cup of tea or a bite to eat at the vegetarian cafe, Kipferl (open from 10am to 5pm, March to November). Or take a picnic and sit on the grass while the kids practice their scooting on the wide paths.

The park is open all year round from 9am until dusk, and entry is free for children and young people under 16. Adults are only admitted if they’re with a child (sorry, students and office workers, but you’ll have to eat your lunchtime sarnies elsewhere), and friendly on-site staff ensure that everyone can enjoy their visit.

Coram’s Fields on a sunny day (Photo: courtesy of UCL)

There are two large playgrounds in Coram’s Fields, both of which have accessible play equipment for children of all ages. The one nearest the cafe is suitable for younger children, with smaller climbing structures and sand and/or water toys.

The adventure playground next to the city farm has some fantastic acoustic features and two aerial slides, or zip wires, which means that kids can race each other.

In the summer the grassed areas in the middle are full of families, but on a wintry weekend morning you can often find you’ve got the playgrounds to yourselves for the first hour or so.

If you’re looking for a fun, educational and cheap day out in Central London with the kids, try combining a trip to Coram’s Fields with a visit to a museum

Bloomsbury has an embarrassment of riches, after all.

Head over to The Foundling Museum in Brunswick Square to discover more about Thomas Coram and his hospital. Foundling Hospital patron Charles Dickens lived around the corner and, while the Charles Dickens House is currently closed for refurbishment (it’s due to reopen in December 2012), you can still take part in Dickens Walks every Wednesday.

Dickens’ relationship with the Foundling Museum is explored in the current exhibition, Received, a Blank Child: Dickens, Brownlow and the Foundling Hospital. The London Historians’ Blog calls it “well-curated, thoughtful and moving.”

Wander around the British Museum and then go for Korean barbecue at Bi-Won in Coptic Street. It’s child-friendly and serves great food at a reasonable price.

TVClaw Top Tip: in situ only until October 22nd, the Phantom Railings interactive sound installation in Malet Street Gardens is a fantastic piece of public art. Using sensor-based acoustic devices the installation recreates the sound produced by running a stick along an iron fence. It’s brilliant! Run, don’t walk, to experience it before it disappears.

Are Tiny Plays The New Theatre?

Deborah Mason’s Tiny Play Festival 2012 was an absolute triumph

A capacity crowd packed out the Tea House Theatre in Vauxhall Friday night for Deborah Mason‘s Tiny Play Festival 2012. (The venue for pre- and post-theatre drinks and food was The Black Dog pub opposite, which delivered possibly the nicest service anywhere in London on a rainy Friday night.)

The inaugural Tiny Play Festival was a first for actor/producer/director Deborah with her festival organiser hat on, and was also a first for many of the featured writers (myself included).

Each of the 22 (count ’em) very short — c. 100 words or fewer — plays was fully staged with actors, props and scenery. The actors did a fantastic job with the source material, and Deborah’s inventive staging was the well-deserved hit of the night.

The scenery consisted of rolls of paper with a backdrop for each play painted on in black. So simple and so very effective. Two helpers rolled/unrolled the paper like an old-fashioned blackboard.

The subjects ranged from the Wild West to Adam and Eve via Social Media status updates. Mostly humorous, they received an overwhelmingly positive response from the crowd.

Deborah closed the Festival with an improv showstopper. The audience wrote words or snatches of phrases on cards, and  the actors picked two cards each. While they worked out how they’d run them together to make another Tiny Play, Deborah asked the crowd to choose a setting.

“Can you tell what is is yet?”

The crowd’s first choice for the setting was Tooting Lido (runner-up: “on a massive cheesepuff”), which Deborah then painted in a real Take Hart moment.

As a nod to the youngest audience members, the scene even included a massive cheesepuff in the lifeguard’s chair.

At only £7 per ticket, Tiny Play Festival was a brilliant night out. The crowd ranged in age from about 8 to 80. People were engaged, excited and entertained. A number of local small businesses made some money and attracted new customers.

We’re trying to persuade Deborah to make Tiny Play Festival a regular event, so come on Arts Council, give the woman another grant! This could be the new face of theatre in London.

Is Tiny the new black?

The Guardian and Oxford University Press are currently running a Very Short Film Competition, in which students are invited to submit 60-second films.

Microblogging continues to gain momentum, with novels being written via Twitter and Facebook. Although  none have yet made any serious money, they continue to proliferate.

Over on Twitter, the Old Vic promoted its New Voices and 24 Hour Plays programmes with popular games like the 24-word Twitter play. So, could Tiny Plays be the new theatre? Stay tuned to find out.

Follow me on Twitter: @TVClaw

The Finest Victorian Loos In London?

With pubs closing down at an alarming rate and councils running out of money to maintain public loos, the classic Victorian convenience may be on the brink of extinction.

Many have been demolished, and some have been turned into bars or nightclubs — check out Ginglik in Shepherd’s Bush, or Cellar Door in Aldwych — but a few great ones survive.

Check out my top three for The Daily Telegraph: “Where is the finest Victorian toilet in London, and can I use it?

Follow me on Twitter: @TVClaw

Open House London 2012, London Night Hike 2012

The annual chance for lovers of architecture and design to have a nose around some of the best buildings in London, Open House London 2012 is almost upon us.

From Erno Goldfinger’s house to the Apothecaries’ Hall via The Gherkin and a Barbican mews house, there’s something for everyone.

Open House London 2012 takes place on Saturday 22 September to Sunday 23 September. Check the website for listings.

The weekend kicks off with the London Night Hike 2012, which is in aid of Maggie’s Centres.

Register online now for the chance to take part in a 20- or 10-mile walking route through London and see fantastic architecture by night.

The organisers say walkers will be treated to a unique night-time insight into a variety of buildings including the Royal Festival Hall, the Royal Geographical Society, Maggie’s Centre, Horse Guards and 20 Gresham Street.

They’ll also get to ride on the London Eye for free provided they get there before 10pm.

London Night Hike 2012 starts at 7.30pm on Friday 21 September. For more information: londonnighthike@maggiescentres.org.

Follow me on Twitter: @TVClaw

London 2012 Games Canal Boat Service Folds: Water Chariots Investors Lose Out

Champagne Charlies? 

Picking up on a Guardian story from 11 September, the BBC reports that London 2012 canal boat passenger service Water Chariots is to go into administration after incurring £2.5m losses.

And a message on the firm’s website reads: “Due to events beyond our control and until further notice, we regret to announce that Water Chariots will not be taking any further bookings to travel.”

With London still basking in the Olympics afterglow the demise of Water Chariots has provoked more than a few “I told you so”s among those who’ve been monitoring the company’s progress.

Water Chariots was awarded an exclusive six-month contract to run passenger canal boat services to the Olympic Park in Stratford from Limehouse Basin and Tottenham Hale. With tickets originally priced at an eye-watering £95 — including “free” glass of champers — for adults and £50 for children, the service was swiftly dubbed “Champagne Chariots” by sceptical onlookers.

In July chief executive Bill Doughty told Loving Dalston that Water Chariots had spent £3 million on its fleet of 13 well-appointed, wheelchair-accessible barges and 17 small launches. In a statement announcing that OFLRS was being placed into administration, the firm blamed its “high fixed-cost base” for its failure.

This, despite the Canal and River Trust telling The Guardian that the company was handed the monopoly to run the service because it was deemed to have “presented a sound business plan that had significant legacy value”. Ooops.

Poor ticket sales led to Water Chariots slashing the ticket price to £20, but even that couldn’t attract enough passengers to keep the ailing service afloat. The last sailing day was 4 September, and the company admitted to the BBC that some staff have still not been paid.

Let’s not forget that before the Olympics there were plenty of people warning that the London transport system would buckle under the pressure, and so, on the face of it, a canal boat service seemed like a good idea. But really, who in their right minds thought that £95 for a 40- or 70-minute journey was a realistic price point?

Especially when Olympics ticket-holders were all given free zones 1–9 Travelcards?

From the get-go Water Chariots could not deliver on their promises. Would-be passengers were told they wouldn’t have to queue to get into the Olympic Park, and that the boats would be docking 70 metres from the Olympic Stadium entrance. A great selling point if it had actually been feasible.

In practice, tight security meant that the boats instead docked about a mile away and passengers had to disembark and walk the rest of the way.

There’s been no word yet on what the fallout will be for private company British Waterways Marinas Ltd (BWML), which was awarded a 15-year contract to use the moorings at Limehouse Basin. BWML financed the renovation of the Limehouse marina before its use by Water Chariots.

A BWML spokesman told The Guardian that “we can sell those moorings whether Water Chariots are on them or not. We were putting some investment into the site in any case.”

Follow me on Twitter: @TVClaw

Tiny Play Festival: A Showcase of New Writing for the Stage

A showcase of jewels, a tasting menu of amuse-bouches, a cabinet of miniatures…

UPDATE: Deborah Mason’s Tiny Play Festival has been awarded a richly deserved Arts Council Grant. Massive congratulations to Deborah. Onwards and upwards to greatness!

Tiny Play Festival presents the best in new writing for the stage, with a selection of short (very short, approximately 100 words long) plays.

These tiny plays will be fully performed — not just read, not just read out, but really performed, with lights, costumes, actors, scenery, maybe even sound effects and music — always with passion.

Tiny Play Festival is the brainchild of Deborah Mason, who was interested in the idea of a super-short-form play of 100 words being an art form in itself, not a snippet or extract from something else.

According to Mason, Tiny Play “provides new writers with an achievable target and aim, and the 100-word constraint itself helps with creativity. For more established writers it provides a break from the meisterwork and an opportunity to be playful.

“We have 11 writers,” she added, “some of whom have never written before, some who write professionally, and some who teach writing.”

Tiny Play Festival will feature 22 plays on a wide variety of subjects in quite different styles, from the Wild West to a bus on the Walworth Road, from Adam and Eve to Social Media status updates.

There will also be an opportunity for the audience to create their own play and engage with the work more directly in bringing that to life and seeing it performed “instantly” on the night.

Tiny Play Festival takes place on: Friday 28 September, 7.30pm, The Tea House Theatre, 139 Vauxhall Walk, London SE11 5HL.

Tickets cost £7 and are available on the door.

Come and support new drama! More information from: @tvclaw or tinyfestival@yahoo.co.uk

Tiny Play flyer – v2 A6 (1)

Follow me on Twitter: @TVClaw

TVClaw Top Tips: Visit London 2012

I’m currently writing about London for The Daily Telegraph. If you’re a Londoner or thinking of visiting London, check out the  In The Know section. Even though the 2012 Olympics are over (sob) there are still lots of fantastic things to do and see.

Here are some of my top tips for art lovers in the capital this autumn:

What are London’s top art exhibitions in November 2012? 

Where are the most famous paintings on show in London? 

Plus, if you’re just passing through, and have a few hours to kill during a layover at London Heathrow, check out my suggestions for what to do outside the airport lounge.

Follow me on Twitter: @TVClaw

 

London 2012: Beach Volleyball At Horseguards Parade

Once Henry VIII’s tiltyard, Horseguards Parade is now the Olympics beach volleyball arena. Quite possibly the best — and most bananas — sporting venue ever. William Kent’s buildings have never looked lovelier. Check out the view from my seat!

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The band of the Welsh Guards serenaded us with everything from Tom Jones to Take That. Gold medal to whoever planned the beach volleyball! It’s really been a triumph of the London 2012 Olympics. Also, the most drunken sporting event I’ve ever attended.

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And here they are again, sand almost between their toes …

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TVClaw’s Top Tips For Visitors To London During the Olympics

Some rather random and scattered musings for now, and surely not an exhaustive list by any means, but here are some bits of info that might be useful if you’re heading into Central London today or later in the week.

Non-Sportie Things To Do

Hatwalk is now over sadly, but Lord Nelson in Trafalgar Square is still sporting a rather fetching Union Jack tricorn. Check out the sour-faced George IV’s blingtastic Brighton Pavilion-inspired baubles!Image

The National Gallery: my favourite art gallery bar none, home to many of the best and most famous paintings in the world. During the Olympics there is a bag search policy on the door, so unless you get there at opening time, you should allow 30 to 40 minutes to get in. But, it’s really worth the wait, especially as the galleries were almost empty when we got there.

I was told that reservations at the National Dining Rooms will be honoured for late-comers.

The National Portrait Gallery is currently staging three fabulous exhibitions: The Queen, Art and Image, Road to 2012: Aiming High and BP Portrait Award 2012. The NPG is also operating a bag search policy during the Games, but we didn’t have to queue to get in yesterday and again, the galleries were fairly empty.

The Cafe in the Crypt at St Martin-in-the-Fields across the road from the NPG does a lovely cup of tea. It’s a great place to go if you’re feeling hot and bothered and just need to sit somewhere cool and quiet for a few minutes.

Plus, St Martin’s is still offering its usual series of lunchtime and evening concerts during the Games.

Go shopping/eating. Where is everybody?  Black cabbies have been bemoaning the dearth of passengers and Covent Garden restaurateurs have claimed the Olympics have destroyed their summer business.

Yet this could be a boon for those who long to shop or nab a restaurant reservation without having to struggle past hordes of people. I was on an almost empty number 23 bus from Trafalgar Square to Paddington yesterday (Saturday) afternoon and Claire Perry, for example, says she’s never seen Oxford Street/Tottenham Court Road so quiet.

Visiting The Olympic Park In Stratford

I haven’t been yet, so these excellent tips come courtesy of Liz Pilgrim (@babyeboutique).

Bring a brollie or pack a mac. Liz says there’s absolutely no place to shelter from the rain.

The vast (4,000+ square metres) London 2012 Megastore is expensive, and bafflingly lacking in mirrors. So, if you’re planning to buy clothing, bring a frank friend with you.

Getting Around London During The Games

It hasn’t so far proved as hellish as lots of us were expecting. Huzzah! However, some lines do seem to be much busier and/or more trouble-prone than others.

The TFL and Get Ahead of the Games websites are must-reads before setting out for live travel updates and service changes. On the move, check out their twitter feeds: @TfLofficial and @GAOTG.

BBC London Transport and Environment Correspondent Tom Edwards also tweets regular updates: @BBCTomEdwards.

Heading to the ExCel last week I found the District Line to be working better than normal, and it wasn’t too crowded apart from the section between Victoria and Embankment. It’s a good alternative to taking the Central or Jubilee Lines.

The DLR has a major change to its route catering for people going to the ExCel, which I didn’t know about until I got to Tower Gateway (thanks, journey planner).

During the Olympics the DLR goes straight from Tower Gateway to Custom House, so you don’t need to change at Canning Town.

Friends have said that the Overground is a fab way of getting to the Olympic Park. (Caveat: I haven’t tried it yet.)

Those with long memories will remember the old Overground as a squalid and unreliable service, which often didn’t feel safe to travel alone on after dark.

However, in preparation for London 2012 the service has been overhauled, with new spacious, air-conditioned trains. I’ve heard really good reviews of it, so it’s worth a try if you don’t fancy taking the tube. 

Overground trains currently runs every 15 minutes from Richmond/Clapham Junction, and every 10 minutes between Willesden Junction and Gospel Oak.

Follow me on Twitter: @TVClaw

My Olympic Week: Part Deux

You can read the whole of “My Olympic Week” by clicking over to The Huffington Post UK.

It was a completely different scene at the women’s fencing Thursday night, where the only flesh on display was one demure (but presumably potentially lethal) hand per fencer.

I’d been absolutely dreading the commute from my corner of far west London to the ExCel in the far east, two under-10s in tow, but I have to say, it happily turned out to be competely without mishap. Yes, it took an hour and half, but for once the District Line actually didn’t grind to a standstill on either side of Earl’s Court, and that’s always a result for me, at any rate.

The DLR from Tower Gateway to Custom House was a fun ride in the sunshine and our carriage was almost empty. Unimpeded, the kids did their usual schtick of sitting at the front and pretending to drive the train. My only slight moan would be that neither the TFL website nor the Olympics journey planner had been updated to reflect the change in route. When I consulted them Thursday morning they both said I had to change at Canning Town, but actually the trains were running straight through to Custom House and Prince Regent for the ExCel.

We buzzed past the Emirates Air Line cable car service, which goes across the Thames from the O2 in Greenwich to the Royal Docks, and it looked like a really fun ride. Next time, I think I’ll try it.

During the 2010 World Cup I wrote about the arguments that arise from watching international sports with my American-born children. Two years on, and after regular trips back to the mothership they’re still unwavering in their loyalty to the country of their birth.

Not having genned-up enough on the fencing results, we left home thinking it was possible we’d see one or both of the USA and Team GB in the women’s team foil finals. There was much wailing and gnashing of teeth after I failed to produce either an American flag or face paints. The only USA-themed t-shirts in the house were from a non-sponsor shop and fearing a visit from the hand drier police I convinced the kids to wear their official London 2012 t-shirts instead (thanks to my mum). In the end, neither team made it through to the finals, so the kids resolved to support South Korea and Russia instead.

Again, the ranks of volunteers at the ExCel were welcoming and enthusiastic, but the vast echoing expanses of such a huge venue lacks the easy friendliness of Horseguards Parade and, to be honest, we were a bit bored by the time we were let into the “Fencing Spectator Zone.”

Perhaps I was spoilt by the open air Horseguards, but being ushered into what feels like a giant aircraft hanger with thousands of other people to wait for an hour or so was a mood-killer. Much has been written this week about organisational failures at the London Games and while I feel like everything and everyone at the ExCel was well-intentioned, atmosphere seemed to have been sacrificed to issues of foot traffic management and crowd control.

Plus, there was a lack of easy access to free tap water. Now, I don’t have a problem with not being allowed to bring in drinks to a venue when I’ve been promised access to free drinking water. But I do have a problem with expectations not being met.

My experience at the ExCel was that free drinking water was available only in the spectator zones, not in the general areas. So, we arrived as requested, at 4pm for an event starting at 6pm. We were then told we’d be allowed into the spectator zone at 4.30, but actually didn’t make it in until just after 5pm. So for the first hour or so we couldn’t have water to drink unless we bought a small bottle for £1.50. Now, the kids and I are fit and healthy, so for me it’s a matter of principle rather than life and death, but it’s annoying and smacks of cynicism.

Because there wasn’t much else to do except queue, we were near the front of the line to get into the spectator zone so just walked over to the drinking fountains and filled up our bottles, but within 15 minutes or so of getting in there, there was a long snaking line of people queuing up for water. Not the loos, just water. The fencing arena seats 8,000, but there were only six small drinking water taps made available for spectators. Yes, that’s six. Lucky it wasn’t a hot day, eh?

I found that we could only fill up a small bottle from two of the six taps, and the others were of the bend-over-and-slurp school variety. Now, I think that’s pretty poor. Yes, let’s agree that sponsors must be allowed to make money, but don’t tell people they can get drinking water easily when they, in reality, can’t.

But, top marks to the loos again, even though the hand driers had once again been visited by the white tape brigade.

One really nice touch was that a group of fencers from Team GB fencing support was there offering quick taster lessons for kids and adults. It was a fun event that deserved more space and time than it was given. Just as the kids were masqued-up there was a series of announcements intended to move people from the specator zone into the arena, promising a fencing display inside. Which bafflingly never materialised and was never mentioned again once we’d sat down. The whole point of being at the ExCel was to watch the bronze and gold/silver medal fights, followed by the medal ceremony, but a display would have been an interesting and informative way to kick things off.

And it probably would have generated more crowd energy than the perky young male host in the arena. He just couldn’t quite whip us into a frenzy despite making the DJ play “We Will Rock You” repeatedly, and so basically gave up trying to do so relatively early on. The crowd in our section was largely families and older couples, and a lot of ecstatic Italian fans, so perhaps he lost the audience through a combination of language barriers and egg sandwiches being unwrapped.

We’d paid the same price for our seats at the fencing as for the beach volleyball but the way the arena was configured meant that although we were in the fourth row from the front we had an oblique line of sight to the piste where the action took place. Straight in front of us were lots of seated men in blazers doing I’m not quite sure what, and while I’m sure it was terribly important and interesting, that’s not what I’d paid to see. So I alternated between sitting sideways-on to watch the action live to my right, or sitting sideways-on to watch it on a big screen to my left. It was galling that what looked like the best seats in the house remained stubbornly empty until late on in the proceedings when a bunch of flag-draped Italian fans moved in.

The first match was for the bronze medal between France and South Korea. It was entertaining, but the neither team seemed to have enough fans in the crowd to get everyone else involved, and really most people just wanted the main event to start. There were a few desultory cries of “allez les bleus” and “Ko-ree-ah!” and a lot of polite clapping, but you couldn’t help be amazed by the change of pace when the gold medal fight started.

When the mighty Italian team came out with the Russsian Federation fencers the Italian fans just about blew the roof off. Foot-stamping, singing, chanting, clapping — it was brilliant! And so much more spirited than any faux-excitement that could be generated by a “get off your tush, yeah”-spouting host armed only with a pair of eye-wateringly tight trousers and a Queen riff.

After the first couple of three-minute fights in which the Italians wiped the floor with the Russians, my children (as always) switched allegiance to the sure-fire winners and joined in the chants of “Italia!” reverberating through the arena. They even saw one of their friends with his dad higher up in the stands (better view than us, natch), which just about made their day. Finally, despite a thrilling last-ditch comeback, the Russians had to bow before the veteran Italians and accept the silver medal.

The crowd went wild, and everyone started chanting and stamping as we waited for the medal ceremony. And waited. And waited some more. I believe I may even have seen a tumbleweed drift across at one point. As the stage crew came on and took what seemed like an age to construct the surprisingly complicated-looking medal podium we were treated to the most irritatingly anodyne lift music playing on a loop.

Podium complete, the ceremony still didn’t start, the muzak continued, and we were given no explanation for the lengthy wait, despite the slow hand claps, boos and frankly pissed-off faces all around the arena. Hey, maybe all the medal ceremonies have taken that long to get going, but would it have killed someone to say “it’s going to be another five minutes”, or for the DJ to play some decent music?

When the teams finally came out it looked like we’d been waiting while they got changed and did their hair and makeup. The Russians, especially, looked suspiciously well-coiffed for a bunch of women who’d just sweatily fenced their way to an Olympics silver medal. But really, who can blame them for wanting a bit of lippy in their moment of glory? As someone once said, a picture lasts a lifetime.

Listening to the Italian national anthem blaring out, part of me experienced the familiar wish that we had a bouncy, uplifting national anthem too, but then watching everyone struggling to sing the words in time with the accelerating music I realised that there is something to be said for an altogether more sedate anthem.

Our journey home was long, but fairly uneventful. No delays, no overcrowding, no vomiting. The only blip was was the middle-aged man who unwisely competed against the children for the coveted place at the front of the DLR carriage at Prince Regent station. Having failed to push past me and the kids when the door opened he then barged my 8 year-old out of the way in the short dash along the aisle to the front. Winning the race he then plonked himself down and assumed the “look at me, I’m a train driver!” pose chiefly associated with little kids on funfair rides. The kids sat on the other side of the aisle and glared at him and his wife who, poor woman,looked mortified.

Next up: more beach volleyball. I can’t wait!